NAWR in Narberth

Today we were in sunny Pembrokeshire at Oriel Q Gallery, Narberth delivering Photography and PS Express on the iPad for NAWR Arts and Education Network. This workshop was for teachers who wanted to learn more about photography on their iPads and how to get to grips with PSExpress.

It’s always interesting when you get a mix of skills and abilities. Some participants just needed a few pointers and ideas whilst others hadn’t really explored creating with the iPad. Working together we explored a range of possible activities which can be used in the classroom. This group of education specialists were fully open to extending, developing, and adapting their skills to fit the needs of their pupils.

Throughout the day I overheard comments and conversations such as “I can see how this activity would work with this type of student, but how about we adapt it like this to work for a student with these specific needs.” Whomever said education is a ‘one size fits all’ system clearly hasn’t met these intrepid and inventive professionals. Empowering participants to improve their existing knowledge base, have the space to become more innovative, and share best practice, is what contemporary teachers in Wales are all about.

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NAWR in Pontardawe

Today I’ve been working with teachers in the Pontardawe area showing them how to use the iPad more creatively in the classroom. It’s not hard. The iPad is child’s play so why do teachers feel they need training?

Teachers have such a workload that sometimes the main thing they’re missing is thinking time. Working upwards of 50 hours a week and switching constantly between roles and responsibilities is taxing. Teachers and creative practioners need calm and quiet to develop ideas and initiatives. They need space to knit together innovations and theories with the students they encounter.

Today’s workshop has given everyone involved the time to consider how the camera on the iPad can be used to tell stories, spark debates, create enigmas, and develop visual communication skills. We looked at how the simplest of words can evolve into a full project and how to tell stories in a short sequence of images. We also looked at what can go wrong with the technology and how you can work in creative ways around this when you have a group of knowledge-hungry students in front of you.

Our participants are now itching to get back to the classroom and weave iPad magic into the curriculum.  Good luck! In a few weeks it will be the turn of teachers in Narberth, Pembrokeshire to learn all about Photoshop Express on the iPad.

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It’s been a while…

I keep telling myself to write a blog entry. There’s so much happening though that I haven’t found the time. I used to write about my art every time I made something, or conceived something. Today I have to be more select about what I share. Client confidentiality with some of my photography and video work means it can take a while before the things I create end up in the public domain. By the time that arrives my brain has moved on and I’m working on something else. For example, today I’ve been making some very small books for [censored]. I can show you the work in progress here but I can’t tell you about [censored] or [censored].

Over time it has meant that this blog has morphed into something more irregular in purpose. So what can I tell you about?

Well, next weekend I have some art showing at the Secret Art Sale in Twickenham. This is my third year in this annual exhibition. A few years ago one of my sketches found itself next to the wonderful Quentin Blake. This year my name is next to Tracey Emin in the catalogue. But the names aren’t the important thing here. Instead it’s the accessibility of the art to the general public that is key. Every artwork is exhibited anonymously and costs only £40. You don’t get to find out who the work is by until after you buy it and all proceeds go to the Environment Trust. Such excitement at picking up low cost collectible art by famous, infamous,regular, and irregular artists means there’s often a queue to get in and see what’s on show. The exhibition is only open on 15th and 16th September too so it’s a really innovative and interesting experience. I don’t know of any other exhibition in the UK where just being at the front of the admission queue, with £40 in your hand, means you get to own something that would normally cost hundreds. Of course I can’t show you what I’ve got in the exhibition.

You’ll have to look through the images in the catalogue for yourself and see if you can identify what’s mine. Click here to browse.
Or see the full list of artists here
Or alternatively, pop along to the Secret Art Sale and see for yourself at:
The Exchange, TwickenhamTW1 1BE
More information is over on the website HERE.

Back to the little books then. I reckon I can tell you that by the very end of November they’ll be completed and in the public domain. Watch this space…

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Coming next to Tate Liverpool

If you ask me what’s going on with my art at the moment my default setting is “not a lot”. I keep forgetting that my default setting is incorrect. I have a trumpet to blow… in fact I have a whole horn section at my disposal at the moment. I keep forgetting to value myself as an artist and keep forgetting my own sense of creativity is worth something. If I haven’t made anything new for a week or two, or feel I’m lacking in direction with my creativity, this doesn’t mean that nothing is happening. I need to keep perspective and look at the wider picture.

So what is happening with my art at the moment?

My art is showing next week (and available to buy) at the Tate Exchange Liverpool.

I’m just saying that again because it really won’t sink in otherwise…. Tate. Liverpool. Tate. Tate…. one of the biggest gallery names in UK art. Tate.

My art has never ever been to such a prestigious UK gallery before. I’m really excited! The whole collection Do Snails Believe in Reincarnation? is up for grabs as part of the Venice Vending Machine  exhibition and series of talks. Here we’re considering the question ‘How do you value art?’
You can read more about that here:
https://www.tate.org.uk/whats-on/tate-liverpool/tate-exchange/workshop/venice-vending-machine

Or visit:
Tate Liverpool
Albert Dock
Liverpool Waterfront
Liverpool L3 4BB

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Finders Keepers 8

Snail #8

As a follow up from Snail #9 which I completed a week or so ago, I’ve actually completed a second piece in this series. Here’s Snail #8. Both are layered and hand cut pictures created from 15 individual original photographs.Honestly, it’s been like pulling teeth trying to get these done. I feel I’ve been cutting paper for far too long now and I need to have a break and think about the direction I’m heading in. I’m always trying to make progress in my own head….

Reading back that last sentence makes sense to me but I know it sounds a bit odd so I’ll try and explain. I’m always trying to move myself forward mentally. I cut pictures and create art for my own mental well-being. I challenge my own creative thinking and in turn it enables me to challenge my own thinking with other things that I do. By continually using the same method to create things I end up stagnating. I end up resenting the work I’m making and avoiding the studio. It’s for this reason I don’t want to make any more snail pictures. The Do Snails Believe in Reincarnation series is complete (or suspended indefinitely). If there is nowhere new for it to go then I don’t want to go there. So Snail #9 and Snail #8 will be the only two framed pieces created from the ten original snail sculptures I made for the ….Reincarnation series.*

So where next? I’m planning on revisiting some concept art I made a while back for a client which was ultimately rejected. I’m not sure what I’ll be doing with it but I know it will be framed when it’s finished. It will be based on a photograph but no layers and no cutting. I feel like it needs to be a collage of some sort though. Give me a while to order my ideas. Perhaps until the end of summer… or the end of the year at my current rate of working!

I’m hoping to get Snail #9 and Snail #8 on show at a gallery soon. Meanwhile I’m showing as part of the Taboo exhibition at the Workers gallery in Ynyshir, Wales. This runs until 4th August. Click HERE to find out more.

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*If I ever make it famous I’ll delete this blog. Completists in auction houses across the globe will be hunting forever for the rest of this series. “Where are Snails #1-7 ?” they’ll ask. I’ll be giggling from the afterlife….. or not… and I’m wasting my time and only a tiny handful of people will ever own my art. As long as it gives them pleasure I’m happy 🙂

Memories…

I was involved recently in an exhibition in St Pancras Hospital called Memories…. There’s Always Tomorrow.  The thought of Art crossing over into the world of medicine isn’t always the first that springs to mind but at St Pancras the connections feel quite natural. Here’s a documentary all about it by the wonderful Anna Bowman. You can see my art from around 10 minutes 50 sec.

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‘John, Alan, and Jane Too’ [detail]

Snail #9

I’ve been very slow in producing new art work this year. You could almost say I’m working at a snail’s pace.

It’s a very strange feeling. I sit down to start some work and then avoidance and procrastination become my two new best friends. I start over-analysing what will become of the final product rather than enjoying creating for the sake of creating. I find myself occupied with other tasks that suddenly become more important. I start to knock myself for my own ineptitude and decide that the whole thing is ultimately futile and I should not even bother.

So I stop.

A week or so later I pick it up again and have another go.

And the whole cycle continues.

A creative block is nothing new but I’ve not experienced one this long before. Usually I work it through using sheer stubbornness. I yell at my self-doubt, laugh at my loathing, and run headlong into making for the sake of making. This year I just haven’t found myself able to do that. Rather than try to fight it or work around it I just stop. This isn’t like me at all and it’s something that has gone on far too long. I can’t just keep stopping and keep taking stock of the situation. I need to reach a conclusion and work out where the next step will be.

So, like I say, I’m working at a snail’s pace. The Do Snails believe in Reincarnation? pieces I created at my Worker’s Gallery residency in [June? May?] the Spring have moved on to appear at the Venice Vending Machine Show at the Tate Exchange Liverpool. They will be on show from 30th July to 5th August. Despite the CV looking very healthy I’m still finding myself questioning the veracity of my practice. What place is framed work taking in my new creative endeavours? Is there even a place for my photography work in my practice any more?

In order to try and answer this I’m making [trying to make] a series of framed cut pieces based on my collection Do Snails believe in Reincarnation?  The first of these is an 8″ x 8″ layered piece called Snail #9.  There are ten snails in the …Reincarnation series so I’ll be working with each of them in turn. Fifteen layers of hand cut photograph form the images you see here.

I started at Snail #9 because I felt this image would motivate me. Start with what you love and the rest will fall into place… I hope. Or alternatively I’ll just stop here and avoid going any further for a few months. I would say ‘watch this space’ but you’re probably better off doing something else more useful with your time for the next half a year.